J.J. Abrams is famous for keeping secrets. His whole schtick as a director is the “mystery box”—finding pleasure in the unknown, and in the tease of that uncertainty. He didn’t show the monster in the trailer for ‘Cloverfield’; hell he didn’t even show the title of the movie in the trailer for ‘Cloverfield.’ If J.J. Abrams could release a movie without telling you anything about it, he probably would.
Having gone on an unexpected journey and endured the desolation of Smaug, Peter Jackson’s bloated adaptation of J.R.R. Tolkien’s ‘The Hobbit’ finally comes to ‘The Battle of the Five Armies,’ which is less of a climax to this trilogy than a distended epilogue. After spending two movies and 330 minutes building up the dragon Smaug (voiced by Benedict Cumberbatch) as the ultimate antagonist, he’s eliminated from the story completely in the first ten minutes. He’s literally gone before the title appears onscreen.
When ScreenCrush published its list of the best movie trailers of 2014, the staff consensus on the number one choice was immediate: The teaser for ‘Mad Max: Fury Road.’ Now there’s a full trailer for the film and ... it’s even better than the first one. Is it too late to have two ‘Mad Max’ clips on one list?
What a great day for dinosaurs who refuse to die! First a new ‘Jurassic Park’ trailer and now, via Variety, a report on the sequel to ‘Blade Runner,’ which has been rumored for most of the 30 years, since Ridley Scott released the original film back in 1982. Scott says that, yes, you can expect Harrison Ford to return as detective Rick Deckard, but no, you shouldn’t expect Scott to direct the film; instead he’ll just be serving as a producer
James Cameron doesn’t lack for confidence. And why should he? This is the guy who made the biggest movie in the history of the universe, and then he topped himself and made the biggest movie in the history of the universe a second time. If there is anything in the world of movies James Cameron can’t do, he hasn’t found it yet.
A sequel to Ben Stiller’s ‘Zoolander’ has been a long time coming. The original movie, which followed the hilariously dumb misadventures of a male model named Derek Zoolander (Stiller), opened in the fall of 2001. 13 years later, work is finally starting to ramp up on the follow-up. Actor and writer Justin Theroux will direct ‘Zoolander 2’ (which should be called ‘2lander,’ for obvious reasons), and Stiller will reprise his role as Zoolander, along with Owen Wilson as his model buddy Hansel and Will Ferrell as the world’s most evil fashion designer Mugatu. Deadline says that the returning cast now has its first new addition in the form of the lovely Penelope Cruz.
At a glance, MasraniGlobal.com looks like any other website for a boring technology company, with details on its founder, Sanjay Masrani, his son and successor Simon, and their financial interests in construction, engineering, real estate, health care, and dinosaur theme parks. On second thought, perhaps that last part is a clue that Masrani Global doesn’t exist, except as a fictional company in the story of ‘Jurassic World,’ next summer’s sequel to Steven Spielberg’s ’90s dinosaur classic.
Sony is already working on a 'Sinister Six' movie that would put the Friendly Neighborhood Wall-Crawler's villains front and center in their own story; according to a new report, they're also considering a movie focused on Aunt May, Spider-Man's lovable caretaker, played in the current 'Amazing Spider-Man' franchise by the great Sally Field.
From the earliest days of his appearances in Marvel Comics' 'Tales of Suspense,' Tony Stark has always been modeled after aviator/inventor/industrialist Howard Hughes. With 'Iron Man 3,' Stark assumes a new dimension of Hughes' persona: that of the paranoid shut-in who, in his later years, became notorious for roaming his private floor of the Desert Inn Hotel in Las Vegas, freaking out about invisible germs and collecting jars of his own urine. 'Iron Man 3's' Tony Stark, played once again by the inimitable Robert Downey Jr.isn't quite that bad, but he's getting there.
After the events chronicled in 'The Avengers,' where Manhattan was nearly leveled by invading aliens and Tony himself was almost killed, he's become obsessed with upgrading his armor -- leaping all the way from the Mark VII to the Mark 42 in a matter of months. When anyone mentions New York or aliens, Tony gets panic attacks. There's a reason Daredevil, not Iron Man, is the Marvel hero known as "The Man Without Fear." Poor Tony is terrified.
James Franco might not be the best actor working in movies today, but he's almost certainly the most fearless. His choices are as unpredictable as they are gutsy. He'll try just about anything: television dramas ('Freaks & Geeks'), soap operas ('General Hospital'), comedies ('Pineapple Express'), and big blockbusters ('Spider-Man,' 'Rise of the Planet of the Apes'). His latest role, in Harmony Korine's 'Spring Breakers,' might be his craziest and most daring to date. He plays Alien -- pronounced "A-Leen" in Franco's South Florida drawl -- a drug dealer and aspiring rapper who likes to boast that he's from another planet. Franco's performance is suitably extraterrestrial: hilarious, disturbing, deranged, poignant and endlessly quotable. In an instant classic scene, Alien shows off all his prized possessions -- machine guns and money and nunchucks and 'Scarface' DVDs on constant repeat -- while screaming "Look at my s---!" Alien's orders are superfluous; any time Franco's onscreen, you can't take your eyes off him.
In 1982, Walter Hill directed '48 Hrs.,' with Nick Nolte as a loose cannon cop and Eddie Murphy as a fast-talking criminal. The oil-and-water chemistry worked, the movie was a hit, and an entire genre -- the buddy cop movie -- was born. Hill has had a long a varied career in Hollywood, directing tough, lean action movies and Westerns and producing the 'Alien' franchise, but '48 Hrs.' and the myriad imitators it birthed will always be his biggest legacy. That fact alone makes his new movie, 'Bullet to the Head,' interesting, since it's Hill imitating himself, with his first return to the genre since 1990's 'Another 48 Hrs.' The mixed results probably won't inspire a resurgence of buddy cop movies, but they're not terrible either, with enough Walter Hill flair to make some moments quite memorable, even if the movie as a whole has its problems.
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