The last Terminator Genisys trailer was so convoluted and confusing that ScreenCrush editor Mike Sampson and I spent an entire piece trying to figure out the plot of the film. (We were not successful, either.) At the very least, the new Genisys spot makes things a bit clearer. Right off the bat they also reveal one significant plot twist: John Connor (Jason Clarke) has been mechanized by Skynet and the evil computers of the future, and sent back in time to kill his mother Sarah (Emilia Clarke). Also, I just realized that Sarah and John Connor are played in this film by two actors with the same last name. Which, whoa. And, of course, there’s also Arnold Schwarzenegger back as the T-800, but this time he’s an older model who’s Sarah Connor’s protector. How and why remains to be seen, but hey, that’s why you’ve got to buy a ticket. To figure out how a robot can age and learn to a be a good guy who smiles awkwardly. (Very awkwardly.)
Netflix has come a long way from those little red envelopes full of DVDs. Today the movies-by-mail rental company is a full-fledged movie and television studio with an impressive slate of original films, documentaries, mini-series, and cartoons. And they keep adding new content constantly; a week after Season 3 of the acclaimed series House of Cards, they unveiled Unbreakable Kimmy Schmidt from Tina Fey; two weeks later they debuted Bloodline starring Friday Night Lights’s Kyle Chandler.
I don’t have any tattoos. I have trouble committing to a pair of shoes in the morning; committing to something that would stay on my body for the rest of my life would be impossible. Maybe that’s why I’m in awe of movie tattoos, and the lengths some folks go to to show their love of film. Forever! You’ve got to be a pretty big fan of a movie to plaster it across your chest for eternity. What if your tastes change? When I was 14, I was really into Police Academy. Can you imagine if 20 years later my wife woke up every morning to this etched into my back?
It’s a poster! It’s a YouTube teaser! Actually, it’s a “living one-sheet” for the upcoming Terminator Genisys, featuring Mr. T-800 himself, Arnold Schwarzengger with his skin peeling off to reveal his metal endoskeleton. I like this sort of thing! Partly because it involves Arnold Schwarzenegger, and there’s not too many way you can go wrong there, but mostly because it’s different than your typical barrage of posters and one-sheets, along with micro-trailers and whatnot.
As one of the biggest Arnold Schwarzenegger nerds on the planet, I might be biased about this (okay I am definitely biased about this) but I think Maggie looks like one of the most interesting movies of the year. It’s a horror drama about a father trying to protect his daughter after she’s infected with some kind of zombie virus. The daughter is Abigail Breslin; the father is Schwarzenegger. Admittedly I don’t see (or hear) much of a family resemblance, but the themes this story touches on — parental responsibilities, broken families, an aging hero fighting against an increasing sense of irrelevance — jive perfectly with the stuff Schwarzenegger continues to explore throughout the latter half of his career.
Most people who saw 2012’s Dredd, a dark reboot of the classic British comic book anti-hero Judge Dredd, dug it. Almost 20 years after Sylvester Stallone made a thoroughly campy mess of the property in Judge Dredd, director Pete Travis, screenwriter Alex Garland and star Karl Urban produced a far more faithful version of Dredd with a bleak tone, gritty action, and a hero who never takes off his signature helmet.
It’s fitting that Deadpool’s main super-power is his accelerated healing factor; you just can’t kill this guy. For years, they talked about making a Deadpool movie featuring Ryan Reynolds (who played a largely unrecognizable version of the character in X-Men Origins: Wolverine). For years, Deadpool languished in development; long enough to kill most projects. But that damn healing factor kept Deadpool alive.
When I first wrote about the true-crime documentary series The Jinx a couple of weeks ago, I was the only person I knew who was watching it. A few weeks later, it’s all anyone is talking about. It’s been one of the top trending topics on Twitter for three days straight, and my personal feed is clogged with debates about the case and the ethics of the filmmakers’ behavior. As I left my hotel in Austin yesterday morning, pundits were discussing the show on CNN; as I wrote most of this piece at the Austin airport, two men at the table next to me in the food court were talking about it as well. I spent a month recommending the show to people who looked at me like I was crazy (“The Jinx? Like the kid’s game?”). The show went from total obscurity to inescapable pop-cultural phenomenon in a matter of hours.
For months it’s been rumored, now it’s confirmed: Rian Johnson, the writer and director of Brick and Looper is officially the writer and director of Star Wars: Episode VIII. Disney CEO Robert Iger also revealed to company shareholders today that Episode VIII has its official release date: May 26, 2017 — 40 years and a single day after the release of the very first Star Wars back in 1977.
Robert Downey Jr., presenting a bionic Iron Man arm to an exceedingly well-dressed 7-year-old fan named Alex, who was born with a partially developed right arm. The arm wasn’t built by Tony Stark, but rather by a college student named Albert Manero who makes low-cost 3D-printed bionic limbs for children. But Downey received the honor and pleasure of presenting him with his new arm, and comparing it to one of his own Iron Man suits.
Starting tomorrow, audiences around the country will be able to see Hugh Jackman in Chappie, playing a former military man turned robotics engineer trying to produce a new human-piloted police drone. He sports a hideous mullet, spends most of the film sitting at a dreary cubicle, and generally behaves like a dope. So if you’re a Jackman fan looking for the guy you love in the X-Men and Wolverine movies, I’m afraid you’re going to have to wait a while longer.
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