Matthew Monagle

If you think about it, it’s kind of surprising that Tom Hiddleston is still sticking around the Marvel universe. Marvel has rarely brought back a villain for multiple movies; with the exception of Sebastian Stan’s Winter Soldier, Loki is a unique character within the Marvel universe. Of course, that shouldn’t be read as a criticism; even before characters like Spider-Man and Ant-Man were being brought to the big screen, it was Hiddleston’s god of mischief who brought charm and humor to the MCU. Any self-respecting Marvel fan will be happy to have him back.

In their mad rush to kickstart a cinematic universe without actually giving new characters individual movies, Warner Bros. has often struggled in the shadow of its Marvel competitors. Fans who are rooting for the success of the DCEU  —  those willing to see see the good and the bad of the movies, at least  —  know that movies like Wonder Woman are important because they create personal and well-rounded characters that we can then smash up against each other in movies like Justice League. After all, nobody would care who gets invited to an All-Star Game if there wasn’t an entire season’s worth of plays and memories to get us to that point.

I’m always of two minds when it comes to critics asking actors about superhero movies at film festivals. On the one hand, I understand the needs of our industry; if you don’t at ask at least one or two questions about Marvel and DC movies, another publication will, so there’s no point in pretending that any of us are above the fray. On the other hand, though, actors who have just put their all into a dramatic performance deserver better than questions about summer blockbusters that happen to be years away. Save your superhero questions for the very end and get off them as quickly as possible, that’s my motto.

As we head deeper into September, two things have become pretty clear about 2017 box office numbers: one, Hollywood desperately needs to bounce back a little bit from the doldrums of August, and two, whoever decided to hedge their studio’s bets with a September release date for a movie about a killer clown is looking like a [profanity] genius right about now. We’ll get to all of that in a moment, but first, here are the box office numbers as of Sunday afternoon:

While Star Wars: The Last Jedi has been dominating the conversation, Rian Johnson’s film wasn’t the only movie featured in next week’s issue of Entertainment Weekly. Their annual Fall Movie Preview includes updates and photos from a handful of upcoming releases, including Stephen King’s It, arguably the most highly anticipated movie of the fall. We’ve already seen Mark Hamill fight people with a lightsaber, but a bunch of kids running around the Northeast in the 1980s fighting a supernatural monster? Why, we haven’t seen that since Stranger Things came out! And that was a whole year ago!

Over the weekend, DC Comics (via Heroic Hollywood) released another version of the same character designs, this time ramping up the Alex Ross influence by having our favorite superheroes standing in profile together. It also aligns pretty well with that Comic-Con trailer, emphasizing both the Flash and Wonder Woman and downplaying (a little) Batman. All part of your lighter, brighter, and funnier Justice League, right?

As someone in his early 30s, I feel like everything I do comes with the risk of hurting myself. I go for a run without stretching every single muscle? Hurt myself. I reach down to pick something up? Hurt myself. I sit in one position for an extended period of time without straightening out my back? Hurt myself. That’s just one of a dozen reasons why I find Tom Cruise so impressive: at 55-years-old, it’s not like Cruise is going to hurt any less after his physical activities, he just finds ways to pick himself back up after something goes wrong.

Leonardo DiCaprio has made a career out of playing historical individuals who were too smart for their own good. From Catch Me If You Can to The Aviator to J. Edgar to The Wolf of Wall Street, DiCaprio’s niche is to play fiercely intelligent men whose vision often exceeded their grasp. So who better to play someone as notoriously ahead of his time  —  and just as notoriously impatient when it came to finishing projects  —  as Leonardo da Vinci? The world-renowned painter, architect, and inventor will apparently be the subject of an upcoming biography, one that DiCaprio’s production company quickly snapped up before it even hit bookshelves.

Given the film’s box office success and surprising - albeit extremely preliminary - Oscar buzz, it’s probably fair to declare 2017 as the year of Wonder Woman. And all this Wonder Woman excitement has fans asking: after we see the character again in this fall’s Justice League, what’s next for the star of the DCEU? Will she jump forward to the modern world in Wonder Woman 2? Will we continue to see her adventures unfold throughout the 1900s? Or will Warner Bros. do something really wacky with her character, like, I dunno, make her the villain of another DCEU movie?

One of the big items to emerge from last weekend’s Comic-Con was the news that Zack Snyder would be taking a backseat in the DCEU going forward. This report - which falls somewhere between a rumor and a substantiated story - spoke directly to a shifting creative hierarchy behind the scenes at Warner Bros. With Geoff Johns now serving as DC’s answer to Marvel’s Kevin Feige, things look increasingly uncertain for the ‘old guard’ of DCEU filmmakers, including both Snyder and Suicide Squad director David Ayer, despite both directors’ involvement in upcoming films.

Say what you will about Warner Bros., but they’ve always saved some of their best Justice League footage for Comic-Con. Last year we were treated to our first extended look at the DCEU entry; this year the studio has raised the stakes, giving us some actual footage of the Justice League villain in action. Oh, and this trailer also seems to emphasize the heck out of the world of Wonder Woman - including a scene set entirely in Themyscira - indicating that they know exactly who their most popular superhero is going forward. It’s probably not a coincidence that there’s more Gal Gadot in this trailer than anyone else.

For many people who grew up in the 1990s, Home Alone is a film that ages alongside them. When you’re a child, you feel an immediate kinship with Macaulay Culkin’s Kevin, sharing in his delight at being able to run around the house entirely rule-free. The older you get, though, the more you find yourself goggling at the actions of John Heard and Catherine O’Hara‘s parents. How on earth could they manage to leave their youngest child behind? Was it really that easy to breeze through airport security in the ‘90s? Why do I still feel so sympathetic towards them even after all that?